Alterations and recuts
Fit corrections, sleeve and neckline changes, dupatta reworks.
$35–90Final quote at fitting. See what is possibleServices
Fit corrections, sleeve and neckline changes, dupatta reworks.
$35–90Final quote at fitting. See what is possibleHand embroidery restoration. Your mother's suit, made wearable again, phulkari intact.
By consultationEvery piece is different. See the workBring your own fabric or have it sourced. Your measurements, your silhouette.
$180–420Final quote at fitting. See the silhouettesHeirloom revival
Most of what comes in was made well and simply doesn't fit, or was cut for a decade that has passed. The embroidery is almost always worth keeping. The rest can be rebuilt around it.
Recut from a 1990s salwar kameez. Bodice rebuilt, sleeves reshaped, original phulkari lifted and reset.
See heirloom revivalBring your own fabric, or have it sourced here.
One pair of hands, decades of sewing, embroidery and garment construction. Fittings are by appointment and unhurried.
Greater Seattle
Made to measure
Every piece starts with measurements taken in person, and a conversation about how you want to be able to move in it. Sleeves, length, neckline and fullness are all decided with you, not chosen from a template.
Straight or A-line kameez, salwar, patiala or churidar. Dupatta finished to match.
$180–320Final quote at fitting.Fitted bodice into a full skirt. The panelling is drafted to your measurements, so the flare falls from where you want it.
$260–420Final quote at fitting.Heavier work, more structure inside. Waistbands and linings built to carry weight without dragging.
By consultationBridal is not taken on yet.Everyday pieces that hold up to washing. Often the first thing to order, because the fit carries over into everything after it.
$95–180Final quote at fitting.Shorter lead time. Labour only.
Longer lead time. Labour plus materials, quoted separately so you can see both.
Alterations and recuts
The exact figure is settled at the fitting, when the garment is in hand and the work is clear.
Kameez, salwar or churidar shortened or let down, finished to match the original.
Narrowed, shortened, or reset at the shoulder. Embroidered cuffs lifted and put back.
Side seams, bust and waist taken in or let out as far as the seam allowance goes.
Reshaped, raised, lowered, or a new facing and piping. Costs more where embroidery crosses the line.
Recut into a straight or tapered pant with a proper waistband, using the original fabric.
Re-edged, re-sized, lace or gota moved, or one made from leftover fabric.
Simple work is usually a week to ten days. Anything crossing embroidery takes longer and is quoted as restoration, not alteration.
A garment can only be let out as far as the seam allowance inside it, and machine-made pieces are often cut with very little. That is checked in front of you at the fitting rather than discovered later.
Heirloom revival
A suit that has sat in a closet for twenty years usually needs three things at once: recutting to a body that has changed, thread matched to embroidery that has thinned, and a repair that works around the damage rather than covering it.
Thread weight, sheen and colour matched to embroidery that has faded unevenly. Hand and machine work both, whichever the original used.
Worn ground fabric supported from behind, splits closed on the grain, and a break in a pattern picked back up where it stopped.
Where cloth cannot be saved, the pattern is re-planned so the loss falls in a seam, a pleat, or outside the new cut line.
A mother's suit remade into something a twenty-six-year-old will actually wear. Length, sleeve, neckline and silhouette are all open to change.
Machine embroidery sits flat and repeats exactly. Hand work varies stitch to stitch and catches light differently along its length. A machine-matched repair on hand phulkari is visible from across a room.
The garment decides which is used. Both are done here.
Most of what a recut costs is inside the garment: facings rebuilt, seam allowances bound, a hem that hangs level on a skirt that has been reshaped. It is the part nobody photographs and the part that decides whether the suit lasts another twenty years.
Bring it in. What is possible depends on how much fabric sits in the seams and what state the embroidery ground is in — neither can be judged from a photograph.
What will be done, what will not, and what it will cost between. Nothing is cut before this is agreed.
Restoration runs longer than an alteration and is quoted in weeks, not days. If something is found that changes the plan, you hear about it before it is done.
Tried on, adjusted, and settled at the figure quoted at the fitting.
Silk that has shattered along a fold, dye that has run into surrounding cloth, and metal thread that has cut through its own ground are usually past repair in place. The embroidery is often still worth moving onto new fabric.
Restoration always carries some risk to old fabric. What is being attempted, and where the risk sits, is written down and agreed before any work starts.
Restoration is quoted by consultation, because no two garments have failed the same way. These are the ranges the work usually falls in.
A qasida is an ode built on a single rhyme, held from the first line to the last.
The studio
Qasida is a boutique studio in the Greater Seattle area. Every garment that leaves it was cut, sewn and finished by the same person.
Salwar kameez and suits, anarkali and gowns, lehenga and sharara, kurti and separates. Alterations and made to measure across all of it, and hand embroidery as well as machine.
Ranges are published before you walk in.
One appointment at a time, by arrangement. Nobody is waiting behind you and nothing is being sold to you.
What will be done to your garment, and how. Along with and assessment of risk on the cloth, before anything is cut.
Greater Seattle
Coming soon.
Request a fitting
Appointments in Kent. She will reply herself, usually within two days. This is a request, not a booking — nothing is confirmed until you have agreed a time.
She reads these herself and will reply within about two days, with a range for the work and two or three times you could come in.
Bring the garment to the fitting, and anything you were told about it by whoever made it.
There is no online booking here on purpose. She replies with times that are actually free once she has read what the work is.
Around forty minutes. The garment is looked at, the work is agreed, and the exact figure is quoted then.
Nothing is charged online and no deposit is taken to make a request. Payment is settled in person.